[peel] Re: Great quotes

[Phil Edwards]

I don't know whether this is a misremembered quote but I'm convinced I heard
this on his "Desert Island Discs" appearance even though I've since heard
the show and it doesn't seem to appear. Maybe it was cut from the original
show or I heard it from somewhere else. So convinced, I included it as a
signature on several notice boards (attributing it to JP).

The quote is "The worst 10 words in the English Language are 'Well I've
always liked the music of Andrew Lloyd Weber' "

Phil

 

 

  _____  

From: peel@yahoogroups.com [mailto:peel@yahoogroups.com] On Behalf Of
ford.alan@...
Sent: 04 August 2012 11:56
To: peel@yahoogroups.com
Subject: [peel] Re: Great quotes

 

  

Don't remember reading this at the time; some great quotes here.
It also confirms that John played Violent Femmes at least once ("Ugly" on
BFBS).
Alan

--- In peel@yahoogroups.com <mailto:peel%40yahoogroups.com> , "Richard
Fewster" <r.fewster@...> wrote:
>
> I've just been looking at the legendary Peel Quotes thread from the
> ilovemusic message board. Remarkably, it seems to still be going. Anyway,
> some fine fellow by the name of Arnie Matthews has taken great care in
> transcribing some Peel quotes from the BFBS Germany shows. SOme of them
had
> me in tears, sure enough. Enjoy:
> 
>
****************************************************************************
****************************************************************************
*****************
> 
> Here are some of my favourite quotes from John's radio show for the
British
> Forces Broadcasting Service (BFBS) in Germany:
> 
> *introduction*
> It's time again for two hours of John Peel's Music, guaranteed to put a
> smile on your face, a song on your lips and something undescribable on
your
> feet.
> 
> *working at BFBS*
> It's wonderful down here at BFBS, because occasionally you get people
coming
> around to sit in and watch the programme and listen to some of the sounds.
> And you know that they're gonna come in like 'I say, this is all jolly
> interesting, goodness me. So that's what a studio is, that's what a John
> Peel is like, is it?' And they sit there and then after about two records
> they crawl out like broken men.
> 
> A curious thing happened while that was going on: a member of the BFBS
staff
> actually came into the studio and asked me about a record which I played
on
> my domestic programme. She has actually taken an interest in the music, so
> of course she's been drummed out of the building as you can imagine, she's
> been beaten up by security people just around the back.
> 
> And from Richard, one of the three pieces of mail which arrived this week,
> and it says 'Look out for the german all-female ensemble called Breast.
Have
> they made any records?' Well if they have I certainly wouldn't be able to
> play them on the BBC, not with a name like that, because at the BBC nobody
> has breasts of course. But here at BFBS they look at things very
> differently. I've got quite a reasonable set of breasts myself actually.
> 
> There's nowhere here to put my bicycle. In the old buildings, before we
> moved down here, I could take my bicycle and just leave it in somebody's
> office. But this can't be done any longer, because somebody whose job it
is
> to go through all of the regulations to try and find things to obstruct
> people, and they came across the information... something to do with like,
> will the bicycle possibly foul the carpets in some way, although I'd like
to
> see it doing it, or it constitutes a fire-hazard within the meaning of the
> act and all that kind of stuff. So it means that my bicycle is manacled to
a
> parking-meter outside. But I did bring in the front wheel in case somebody
> stole that, and left that in the place where I normally leave my bicycle,
to
> see exactly how much of a bicycle constitutes a bicycle. Because I had
this
> problem once before with somebody else who would never allow me to bring
my
> bicycle into their building, and I wanted to know how much of it you could
> bring in in parts before it became a bicycle. And of course people really
> aren't interested in these kinds of sophistries, they're more likely just
to
> punch you in the face and tell you not to be such a smart aleck. But
within
> the law, I think I'm right in saying, if you are riding a bicycle, then
you
> are yourself part of that bicycle, so if the bicycle is banned from the
> building, then it seems logical that the rider should be as well, so in
fact
> I shouldn't be here, as I am part of a bicycle, or indeed you could even
say
> that I am a bicycle.
> 
> I was trying to get hold of a cup of coffee while that was going on and
> there is, immediately outside the door here, a large coffee making
machine,
> but I'm told that this is for the use of BFBS UK only, which is quite
> wonderful. It's the kind of thing you think doesn't happen in 1984. I
expect
> they got their own toilets somewhere as well, and their own lift, and
> they're probably allowed to bring their bicycles into the building, too.
> Privilege - what a wonderful thing it is. (plays a record)
> Very pleased to report that the BFBS UK elitist coffee machine seems to
have
> broken down. There are lots of puzzled looking men probably called Eric
> staring at it this very moment, hands on their hips.
> 
> Here's an oldie which I always enjoy, you probably loathe it, I don't
know,
> don't really care. It's my programme, not yours.
> 
> Kevin (one of the engineers), our man in the studded leather bracelets and
> AC/DC tour jacket says that they sound like a very sick Judas Priest, but
of
> course in my estimation Judas Priest sound like a very sick Judas Priest.
> 
> Charles (one of the producers) was also suggesting that we should get the
> Emerson, Lake & Palmer version of the same piece and play that in next
> week's programme. First person to take a step towards me with it, I tell
> you, he gets it.
> 
> 
> A little scratchy towards the end, that's Barrington Levy and a ripple of
> applause for the BFBS equipment which was built out of old washing-machine
> parts in the late 1940s.
> 
> And this week's programme is being engineered by Nicky, who's loveliness
is
> enough to drive fat men to drink, but in her defence she'll come and have
a
> drink with you while you do it. But Kevin has dropped into the studio to
> tell me that he's just been to see, in the last week, Yes and Status Quo.
So
> representatives from the Peel Foundation are taking him outside for a full
> frontal lobotomy in the hope that something can be done to improve his
> emotional condition.
> 
> 
> *letters and phonecalls*
> Not a great deal of mail this week, and I wish you would write, I'd be
very
> grateful if you did, because BFBS interpret this as the programme becoming
> even less popular and it'll end up as being an insert into 'The pruning
fork
> in peace and war - an eight part documentary starring Wendy Craig as
nursy'.
> You have been warned.
> 
> And a letter, this is very welcome indeed, from Cyprus. It's been quite a
> long time since we had one from there, and it's from sapper Sam Parker in
> Nikosia, and as always I'll drag out the record to play you next week, but
I
> just wanted you to know that your letter has arrived and has been greeted
> here with a great deal of excitement: 21 gun salute and massed brass bands
> playing in the street outside.
> 
> And here's a letter from Brad, who is Private Bradbury, from what looks
like
> 1st Armoured Field Ambulance. Isn't that cheating? I don't know, I don't
> think you're allowed to do that. I mean the armoured ambulance is the sort
> of thing which happened in the First World War but not since. (plays a
> record)
> I must admit I've been fantasising about those armoured field ambulances
> while the record was playing, the idea of the Red Cross on the back doors
> parting as they are thrown open and a 25-pounder sticking out of the back.
> 
> A card from Michael, and he says, could I play a record for his friend who
> has just come back from Nepal after two and a half years where he's been
> talking with the stones. I'm not entirely sure this isn't a medical
> condition actually, Michael. If the stones have been talking back to him,
> then I think we have real cause for concern.
> 
> Actually, judging by the amount of mail this week, I would say that the
> west's defences are being overlooked as you all sit there scribbling away
on
> postcards and letters.
> 
> I'll play you another track from that LP before the end of the programme,
> cause I rather like it, I must admit. It's also the kind of record which
> gets people writing in to say 'I shall never listen to your programme
> again!' ... that kind of thing... and in a rather perverse way I enjoy
that,
> which is why there's only about twenty of us left. We have a secret
> handshake and a tie and everything. We can recognize each other in the
> street.
> 
> And Kay wrote to me from Bielefeld, where he or she is stationed. He or
she
> or uncommited, I don't know.
> 
> And this is from Section 25. I have to warn you that this copy of the
record
> is pressed off centre. In fact all of the copies of the record that I've
got
> are pressed off centre, and I've got four copies of it, cause they sent me
a
> new one each time I complained that they were pressed off centre, and the
> new one was always pressed off centre. So this is for Micky who, if the
> postcard he sent me is to be believed, lives in the middle of a field, and
> he'll probably appreciate a record that's pressed off centre.
> 
> This is for Monty, who wanted something by Crass for Angelica, which I
> thought was stuff you put on top of cakes, but in this case it seems to be
a
> person.
> 
> My day started off particularly well with a phonecall from Richard in
> Germany who told me, he says 'Do you want any wine? My father owns a
> vineyard.' Owns a vineyard??!! So I said 'Next time I come to Germany I
> shall come and stay with you - probably for several years'.
> (plays a record)
> I'm always very pleased to get letters or indeed phonecalls from anybody
> whose family own vineyards - or Mercedes Benz dealerships, or, because I
> have so many children, a toilet paper factory as well, if you want to get
in
> touch.
> 
> Well I'm rather reluctant to get into more deeply military requests after
> all the mess I made with that 'S.T.A.G.O.N.' business earlier on. Simon
says
> I still got it wrong, after what he said to me I misinterpreted it or
> something. Who really cares? I mean you all know what 'bobbies' mean, yet
in
> our house if you said the word 'bobbies' people would fall over.
> 
> Somebody has sent me, for which I'm extremely grateful, a postcard which
> actually's got water in it. I mean it's got liked a sealed... do you hear
> the water splashing about? That's a postcard! Actually's got a bit of the
> North Sea in it apparently, a picture of a trawler or something like that.
> It's probably full of disease, too, if it bursts it'll probably kill the
> whole of central London.
> 
> 
> *looks*
> (after Violent Femmes' 'Ugly' which ends with the singer shouting 'You're
so
> ugly' repeatedly) - Oh I don't know, with the light from behind and a
> polythene bag over my head I can look quite arresting.
> 
> The people you don't actually know and who don't know you...when you turn
> up, and of course they're expecting you to look like one of Echo & The
> Bunnymen or something like that, and when you turn up looking like Echo &
> The Bunnymen's dad who hasn't been well for very many years, one can
almost
> sense... the disappointment is almost tangible you know, which is why I
tend
> to lurk here in the studios and not venture forth. It's like the 'Elephant
> Man' you know, bag over the head, that kind of stuff.
> 
> I've chosen to go to Portugal in the week of the Milk Cup final, so I
shall
> be lying motionless in the sun like a beached whale while the lads are
> battling at Wembley.
> 
> They go on a great a length, I mean obviously to get their record played,
> but go on a great length about my sexy voice and so on, and of course
that's
> one of the reasons why I don't travel very often, cause you always find...
> you gonna turn up somewhere, as I was when I first went to Berlin, and...
> people are gonna expect someone like Simon LeBon of Duran Duran to get off
> the plane, and when somebody who looks like Simon LeBon's uncle who had
the
> unsuccessful operation gets off the plane... quite clearly, you see a lot
of
> crestfallen folk, and it's more than I can stand frankly. And I just had
> another look at the letter that I mentioned before, and it says on the
other
> side of it 'Would you please send us a photograph'. I've found actually,
> over the years, that it's best not to do this, because then you never hear
> from the people again and they stop listening, and quite often go
into...you
> know, take holy orders, or go and start a new life in Papua New Guinea,
and
> I think it's preferable if they don't do this.
> 
> One of the highpoints of my weekend in Berlin was the Atonal-Festival, and
> we weren't there for very long, it was just a lot of people shrieking
> really, banging instruments in a rather random fashion... But a young
woman
> there did seem to show some kind of vague sexual interest in me, and like
> twenty years ago I should've been most gratified by this and probably
tried
> to do something about it. But of course when you've deteriorated to the
> point that I've deteriorated to, you become a little uneasy. And I
wondered,
> like, is she a dedicated sociologist who is prepared to stop at nothing to
> support some half-baked theory she has, or is she smashed out of her head,
> or is she just plain mad. And I rather suspect that she was smashed out of
> her head, because trying to get off with me is roughly equivalent to
eating
> all of your meals out of wastebins.
> 
> I'm back from Crete, a gorgeous golden brown. If you could see me I'm sure
> you would want to dance around me.
> 
> As I mentioned before I never get invited to parties, and this is probably
a
> good thing, because I'm the kind of bloke who ends up doing all the
> washing-up in rather a sulky fashion while everybody else gets undressed.
I
> did once go to an orgy, but it was deeply embarrassing, because I haven't
> really got the figure for orgies and I had to sit there, pretending to be
> asleep for about four or five hours, while everybody else got on with it.
> Not for me at all.
> 
> *health*
> This week, as with most weeks actually, I'm feeling terrible, but
obviously
> the show goes on, and I put on a brave face and things, but I always feel
> ill, and I've always attributed this to the fact that I just work to hard
> really. I'm the classic kind of bloke who drops dead, and I was just
> discussing this with Simon, and he said 'Have you ever thought of glandula
> fever?' in much the same way as you might say 'Have you ever thought about
> the glass-topped coffee-table?' And so I shall have to look into the
> symptoms of that and perhaps by next week I'll have developed it, who can
> possibly say. What a little ray of sunshine he is for sure.
> 
> While it was going on my gums started bleeding. I'm not exactly sure what
> the significance of this is, perhaps it's the prelude to a religious
> experience. I certainly hope not.
> 
> Why am I laughing? I don't know... it's incipient madness, that's what it
> is. I'm quite looking forward to that actually, as I drift into an
> unattractive middle-age. I quite like the idea of waking up one morning
> quite plainly mad, I mean not dangerously mad, but just mad enough to be
> sent off somewhere where I can just sit and watch television and eat
Indian
> meals for the rest of my life. I should be entirely happy doing that. You
> know, just waking up one morning imagening that you're something like an
> umbrella stand or something like that, and I find it quite an attractive
> prospect, I must say.
> 
> 
> *records*
> (Sizzler: 'Rat Race') - Well, me too, at times, I have to admit, I'm a
> victim of the pressures of modern life. I know that one of these days
> something's going to snap in my head and I'll start imagening that I'm a
two
> and a half mile section of the East Langs Road or something - or Phil
> Collins, whichever is the least interesting.
> 
> (XXOO: 'How will I know when I'm really in love ?') - Your hat will fall
> off. I thought everybody knew that.
> 
> (Brilliant: 'Scream Like an Angel') - How do these people know what an
angel
> screams like? Answer me that. On one side of a paper only.
> 
> (Hugh Griffith: 'Chant Down Babylon') - Well at our house, before we go to
> bed every night, we always chant down Babylon for five or ten minutes, and
> yet it's still there in the morning.
> 
> (In Excelsis: 'Carnival of Damocles') - I'm not entirely sure Damocles was
> the kind of chap who went to Carnivals much, but that's the title of it.
> 
> (A Certain Ratio: 'I Need Someone Tonight') - Ah, I do like a deeply
> meaningful lyric, although I suppose if you need someone tonight, it is a
> meaningful lyric.
> 
> (Sisters of Mercy: 'Temple of Love') - I think that if I found myself in
any
> temple of love I should just lie down on the pews and have a bit of a
sleep.
> That comes with age.
> 
> (The The: 'This Sinking Feeling') - That's The The and on the record it
says
> 'With every kick in the face and every hurdle you pass the rewards get
> greater.' and if you've been passing hurdles you should see your doctor as
> soon as you possibly can.
> 
> (Kukl: 'Songull') - Now this is... talk about not being able to pronounce
> things, I'm in real trouble with this next one, because the name of the
> band... well it's spelt K U K L. Now how would you pronounce that? I mean
> given that it's some kind of nordic language that you're not entirely
> familiar with. Well I checked around a bit, with people who know the band
> and they said, well, it's pronounced 'Curcle'. So I said 'Curcle', I mean
> that seems, you know, feasible... daft, but feasible... so K U K L,
Curcle,
> so I went ahead and that's what I said when I did a radio programme
> featuring this domestically, and a member of the band phoned up and said
> 'No, it's not Curcle at all, it's...' he didn't say it like this at all
but
> he said '... it's pronounced Krchk'. And I said, well how can it be
> pronounced Krchk, I said, cause there's no 'R' in it... there's an 'L'...
> and the 'L' is at the end, you know, all that kind of thing. Anyway, he
says
> it's Krchk, so this is Krchk, and frankly the title of the piece I have no
> intention at all of trying to pronounce, it's spelt S O N G U L L and it's
> almost certainly pronounced 'Lester'. (plays the record)
> That's Kukl, pronounced Krchk and this is John Peel's Music, pronounced
> "Excuse me, but isn't that my ladder?"
> 
> (The Ruts: 'In a Rut') - I think it's fair to say that modern music is
back
> in that rut again, actually, lots of beautiful youths in meaningful
> trousers.
> 
> (Vex: 'Sanctuary') - That's Vex and on the back of the sleeve it says
'four
> individuals with no set ideals making music to provoke thought' - and the
> thought which most immediately comes to me is that it's almost time that
> we've had enough records like that.
> 
> (Daniel Ponce: 'Bastardo Cuentos') - The name of the next artiste appears
to
> be Daniel Ponce but it's actually pronounced, I think, Pon-che, and the
> track itself is called Bastardo Cuentos which translates approximately as
> 'Oh no, not another spanish referee'.
> 
> 
> *about jamaican pre-releases (on recycled vinyl)*
> .pressed on Weetabix...
> 
> .with real hazelnuts...
> 
> As you can tell, somebody has gone over that with the old Black & Decker
> sander just to give it that authentic feel.
> 
> It may not have done full justice to that expensive tuner you just bought,
> but it's a great record.
> 
> 
> *about loud or 'difficult' records*
> Well I expect they love their mothers.
> 
> Aren't you glad they don't rehearse next to you?
> 
> Well I'm glad I'm not their postman.
> 
> I don't think I shall be inviting them to my birthday party. They are the
> kind of people who park their vans so that nobody else could get in or
out.
> 
> They sound like somebody's given a good kicking - set to music.
> 
> *miscellaneous*
> With that record he has qualified for the immortal soul.
> 
> We're coming up to exam results, you see, for our William, and he's got to
> get a certain number of passes at A level in order to get into university
> and do the thing that he wants to do, which is archeology, and in the way
> that fathers do, I insist that the main reason he wants to do archeology
is
> because he's got it in his head that this means that he can lie virtually
> motionless for days on end in the accumulated filth of centuries, so he
> won't have to change his lifestyle particularly.
> 
> Rip, Rig & Panic have in fact broken up, because some of them live across
> the road from my mum. Not that they've told me that they've broken up but
I
> can see them in there and they look broken up.
> 
> Really needs to be played loud enough to start a civil defence alert...
> 
> The musical equivalent to those children's TV programmes where you make a
> model of the Battersea power station out of egg-boxes.
> 
> It's called 'Another Black Friday' and the press of it has been good as
far
> as I can tell: 'the best production at the present time','"a rise to new
> musical directions', 'a brilliant fusion of body and brain' ... I don't
> know, that sounds like a motorcycle accident.
> 
> This is a record by Ledernacken, which can't surely mean what I think it
> means.
> 
> 'Party Line' by Abbreviated Sealing, and of course whenever I criticize
the
> name of a band somebody will write in and say "Of course what you don't
> realize is that it's a quote from Jean Jacques Pissoir's 'Vortex - A
> Threnody", and it may well be so.
> That's Stump and that's another track in the forthcoming Peel Sessions EP
> series, if you see what I mean. It's not quite that but I'm not gonna try
> and reconstruct the sentence in front of you.
>